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Explorez 10 ans du théâtre anglais à travers la critique littéraire !

Ce moteur de recherche vous permet de parcourir les quelques 43 000 critiques théâtrales de notre base de données. Issues des plus grands journaux de la presse anglaise et des blogs les plus populaires de la toile, ces critiques vous permettront de découvrir la scène contemporaine londonienne à travers le regard de ces deux communautés littéraires

43043 results matching your research for :

Corpus
Newspaper / Blog
Date
Reviewer
Title
Review
Location
Journalism
Times
05/01/2010
Donald Hutera
MIRACLE
It’s hard to imagine what impact a change of venue will have, on this uneven b...
Leicester Square Theatre
Journalism
Guardian
07/01/2010
Michael Billington
THE LADY OR THE TIGER
Sam Walters clearly has a soft spot for this toothless musical. It was first see...
Orange Tree Theatre
Journalism
Daily Telegraph
07/01/2010
Charles Spencer
THE LADY OR THE TIGER
Unbelievably, The Lady or the Tiger is one of the Orange Tree’s biggest hits. ...
Orange Tree Theatre
Journalism
Independent
07/01/2010
Zoe Anderson
VAREKAI
Celebrating its 25th anniversary this year, Cirque du Soleil has become the bigg...
Royal Court Theatre
Journalism
Daily Telegraph
07/01/2010
Charles Spencer
VAREKAI
Thanks to a muddle over tickets, I took my seat a few minutes late for Varekai, ...
Royal Court Theatre
Journalism
Evening Standard
07/01/2010
Henry Hitchings
VAREKAI
Apparently Varekai is the Romany word for “wherever”, and this characteristi...
Royal Court Theatre
Journalism
Time Out
07/01/2010
Caroline McGinn
TRILOGY
Don’t be put off by the length or the enigmatic title. This three-part, three-...
Battersea Arts Centre
Journalism
Financial Times
08/01/2010
Sarah Hemming
THE LADY OR THE TIGER
Party political leaders in search of eye-catching policies to spice up their man...
Orange Tree Theatre
Journalism
Jewish Chronicle
08/01/2010
John Nathan
THE LADY OR THE TIGER
Michael Richmond’s and Nola York’s quirky little musical made its debut at t...
Orange Tree Theatre
Journalism
Metro London
08/01/2010
Keith Watson
VAREKAI
There’s nothing like the sight of tight-buttocked Lycra-clad firecracker acrob...
Royal Court Theatre
Journalism
Times
08/01/2010
Donald Hutera
VAREKAI
It’s estimated that more than 40 million people have seen Cirque du Soleil sin...
Royal Court Theatre
Journalism
Daily Mail
08/01/2010
Patrick Marmion
VAREKAI
Ever tried touching your bottom with the back of your head? In ail honesty it’...
Royal Court Theatre
Journalism
Daily Mail
08/01/2010
Quentin Letts
GENEROUS
What with the snow, a planned Wednesday afternoon trip from London to Cardiff to...
Finborough Theatre
Journalism
Times
08/01/2010
Dominic Maxwell
GENEROUS
The Canadian playwright Michael Healey has rarely been performed in Britain, but...
Finborough Theatre
Journalism
Guardian
09/01/2010
Michael Billington
MIRACLE
Reza de Wet is a South African dramatist clearly enslaved by the past. In 2002. ...
Leicester Square Theatre
Journalism
Observer
10/01/2010
Susannah Clapp
THE LADY OR THE TIGER
This is the season in which theatres revisit their histories. In the crumbling g...
Orange Tree Theatre
Journalism
Sunday Express
10/01/2010
Mark Shentort
VAREKAI
Cirque du Soleil’s founder Guy Lal ibertd may have managed to blast himself in...
Royal Court Theatre
Journalism
Independent on Sunday
10/01/2010
Jenny Gilbert
VAREKAI
Extravagant That’s the word that best sums up Cirque du Soleil. That will cert...
Royal Court Theatre
Journalism
Observer
10/01/2010
Susannah Clapp
MIRACLE
Well, says the former wife, discovering the body of her successor tucked up in a...
Leicester Square Theatre
Journalism
Independent on Sunday
10/01/2010
Claudia Pritchard
A YORKSHIRE TRAGEDY
The character called simply Husband in A Yorkshire Tragedy hasn’t got that mes...
White Bear Theatre
Journalism
Guardian
11/01/2010
Michael Billington
GENEROUS
Ever since Ibsen’s masterly study of destructive idealism, The Wild Duck, do-g...
Finborough Theatre
Journalism
Independent
11/01/2010
Rhoda Koenig
MIRACLE
At least one aspect of Reza de Wet’s peculiar 1992 Gothic parable proves apt a...
Leicester Square Theatre
Journalism
Metro London
11/01/2010
Claire Allfree
MIRACLE
A similar disparity between intention and effect is on view in Reza De Wet’s d...
Leicester Square Theatre
Journalism
Financial Times
11/01/2010
Sarah Hemming
MIRACLE
“I refuse to work under these conditions,” protests the aged leading lady at...
Leicester Square Theatre
Journalism
Evening Standard
11/01/2010
Henry Hitchings
INNOCENCE
Dea Loher’s disconcerting play is set in a nameless European port, and examine...
Arcola Theatre
Journalism
Times
11/01/2010
Sam Marlowe
PLAY ON WORDS
This 70-minute piece is an ingenious little box of tricks from the precocious th...
Tristan Bates Theatre
Journalism
Financial Times
12/01/2010
Sarah Hemming
GENEROUS
We are all familiar with the niggling doubts that accompany a generous act: if y...
Finborough Theatre
Journalism
Guardian
12/01/2010
Lyn Gardner
INNOCENCE
Two illegal immigrants stand on a beach while a woman strides into the sea. At f...
Arcola Theatre
Journalism
Financial Times
12/01/2010
Ian Shuttleworth
INNOCENCE
Dea Loher is much feted and admired as a dramatist in her native Germany. I’m ...
Arcola Theatre
Journalism
Times
12/01/2010
Benedict Nightingale
INNOCENCE
Dea Loher is well known in her native Germany, and doubtless should be better kn...
Arcola Theatre
Journalism
Daily Telegraph
12/01/2010
Charles Spencer
GRETA GARBO CAME TO DONEGAL
Frank McGuinness is a notoriously uneven playwright, ranging from big hits like ...
Kiln Theatre
Journalism
Evening Standard
12/01/2010
Henry Hitchings
GRETA GARBO CAME TO DONEGAL
In case you’re wondering, she really did. When she “vanted to be alone”, t...
Kiln Theatre
Journalism
Times
12/01/2010
Sam Marlowe
BARBERSHOPERA II
Close shaves and close harmonies: Barbershopera, the award-winning a cappella qu...
Trafalgar Theatre
Journalism
Independent
13/01/2010
Rhoda Koenig
INNOCENCE
An African, illegally in Germany, finds a fortune which he spends on an operatio...
Arcola Theatre
Journalism
Financial Times
13/01/2010
Ian Shuttleworth
GRETA GARBO CAME TO DONEGAL
Frank McGuinness writes extraordinary ordinary women. From his early play The Fa...
Kiln Theatre
Journalism
Guardian
13/01/2010
Michael Billington
GRETA GARBO CAME TO DONEGAL
Garbo once startled Kenneth Tynan by announcing she had recently visited Bournem...
Kiln Theatre
Journalism
Times
13/01/2010
Benedict Nightingale
GRETA GARBO CAME TO DONEGAL
“What, when drunk, one sees in other women, one sees in Garbo sober.” So wro...
Kiln Theatre
Journalism
Times
13/01/2010
Jeremy Kingston
A YORKSHIRE TRAGEDY
The stabbings and throttlings that punctuate Jacobean plays, puncturing the skin...
White Bear Theatre
Journalism
Time Out
14/01/2010
Matt Trueman
LICKING WOUNDS
Don’t be fooled by David Hoyle’s title of choice - he’s not the sheepish t...
Royal Vauxhall Tavern
Journalism
Time Out
14/01/2010
Robert Shore
GENEROUS
Canadian playwright Michael Healey's comedy about the complicated ethical underp...
Finborough Theatre
Journalism
Times
14/01/2010
Sam Marlowe
A GIFT FROM BABY JESUS
Three lost children fighting for survival in the big city: Daniel Silva’s new ...
Barons Court Theatre
Journalism
Time Out
14/01/2010
Andrzej Lukowski
INNOCENCE
T want mirrors to stop’, howls young immigrant Elisio, as he, too, finally suc...
Arcola Theatre
Journalism
Independent
14/01/2010
Paul Taylor
GRETA GARBO CAME TO DONEGAL
Frank McGuinness’s emotionally rich and highly enjoyable new play has a Chekho...
Kiln Theatre
Journalism
Guardian
14/01/2010
Michael Billington
LEGALLY BLONDE
It is, of course, preposterous: an LA fashion student conquers Harvard law schoo...
Savoy Theatre
Journalism
Metro London
14/01/2010
Claire Allfree
LEGALLY BLONDE
With the odd noble exception, it takes an American production to get the best ou...
Savoy Theatre
Journalism
Independent
14/01/2010
Paul Taylor
LEGALLY BLONDE
“What I’d give to be one of those dogs!” I remarked to the young woman sit...
Savoy Theatre
Journalism
Times
14/01/2010
Benedict Nightingale
LEGALLY BLONDE
Omygod, as a jazzily dressed set of sorority sisters keep squealing at the start...
Savoy Theatre
Journalism
Evening Standard
14/01/2010
Henry Hitchings
LEGALLY BLONDE
It’s not often that a West End musical references Simon Cowell, case law and t...
Savoy Theatre
Journalism
Daily Telegraph
14/01/2010
Charles Spencer
LEGALLY BLONDE
OMIGOD! I tried, I really tried to hate this show, but resistance is futile. It...
Savoy Theatre
Journalism
Time Out
14/01/2010
Jane Edwards
BARBERSHOPERA II
Personally, by this time of year I’ve had my fill of jolly festive shows and s...
Trafalgar Theatre
Journalism
Time Out
14/01/2010
Brian Logan
PLAY ON WORDS
A play in which a critic in the audience is picked on and humiliated? That doesn...
Tristan Bates Theatre
Journalism
Time Out
14/01/2010
Nina Caplan
A YORKSHIRE TRAGEDY
Thomas Middleton lived down the road from this theatre, so if he did write this ...
White Bear Theatre
Journalism
Guardian
14/01/2010
Lyn Gardner
TRILOGY
Nothing’s perfect and neither is Trilogy, Nic Green’s three-part interactive...
Battersea Arts Centre
Journalism
Times
14/01/2010
Benedict Nightingale
TRILOGY
I have done some pretty bizarre things during my theatregoing career—recently ...
Battersea Arts Centre
Journalism
Evening Standard
14/01/2010
Henry Hitchings
TRILOGY
In this bizarre and at times astounding triptych, a hit on the Edinburgh Fringe ...
Battersea Arts Centre
Journalism
Daily Telegraph
15/01/2010
Charles Spencer
EVERY GOOD BOY DESERVES FAVOUR
Tom Stoppard’s superb black comedy about Soviet dissidents has returned to the...
National Theatre
Journalism
Daily Express
15/01/2010
Julie Carpenter
EVERY GOOD BOY DESERVES FAVOUR
TOM STOPPARD’S 1977 collaboration with composer Andrd Previn is a short yet pe...
National Theatre
Journalism
Times
15/01/2010
Sam Marlowe
EVERY GOOD BOY DESERVES FAVOUR
Such stark elegance coupled with such startling violence: this revival of Tom St...
National Theatre
Journalism
Daily Mail
15/01/2010
Quentin Letts
GRETA GARBO CAME TO DONEGAL
There used to be a grand old English art queen called Hill who lived for years i...
Kiln Theatre
Journalism
Financial Times
15/01/2010
Ian Shuttleworth
LEGALLY BLONDE
What is it with stage musicals of movies? Within the past year Priscilla Queen O...
Savoy Theatre
Journalism
Jewish Chronicle
15/01/2010
John Nathan
LEGALLY BLONDE
This is the popular Broadway musical version of the famous film that was based o...
Savoy Theatre
Journalism
Daily Mail
15/01/2010
Quentin Letts
LEGALLY BLONDE
It is pink not just in the colour of many of the clothes and stage effects. It i...
Savoy Theatre
Journalism
Daily Express
15/01/2010
Neil Norman
LEGALLY BLONDE
THIS is a musical version of the Reese Witherspoon movie about spoilt California...
Savoy Theatre
Journalism
Daily Mail
15/01/2010
Quentin Letts
JIHAD!
AT THE start of Jihad! The Musical, it seems we might be in for a militant Arabi...
Jermyn Street Theatre
Journalism
Times
15/01/2010
Benedict Nightingale
JIHAD!
This musical’s appearance on the 2007 Edinburgh Fringe brought out the protest...
Jermyn Street Theatre
Journalism
Evening Standard
15/01/2010
Henry Hitchings
JIHAD!
Jihad: The Musical is a monotonous one-joke show, and the joke is not very good....
Jermyn Street Theatre
Journalism
Metro London
15/01/2010
Claire Allfree
TRILOGY
Nic Green’s three-hour, collagestyle Trilogy won rave reviews in Edinburgh - a...
Battersea Arts Centre
Journalism
Daily Telegraph
15/01/2010
Dominic Cavendish
TRILOGY
There can be few stranger sights on the London stage at the moment than that of ...
Battersea Arts Centre
Journalism
Spectator
16/01/2010
Lloyd Evans
GENEROUS
Generous, at the Finborough, is Britain’s first exposure to Michael Healey, wh...
Finborough Theatre
Journalism
Guardian
16/01/2010
Lyn Gardner
EVERY GOOD BOY DESERVES FAVOUR
Orchestrated madness is back on stage at the National, where a newly recast vers...
National Theatre
Journalism
Guardian
16/01/2010
Michael Billington
JIHAD!
There is certainly a show to be written satirising aspects of the “war on terr...
Jermyn Street Theatre
Journalism
Times
16/01/2010
Dominic Maxwell
THE RIVALS
No one goes to a comedy of manners to see straightforward feelings unambiguously...
Southwark Cathedral
Journalism
Sunday Times
17/01/2010
Maxie Szalwinska
INNOCENCE
Many of the story strands in this tangled number by the German playwright Dea Lo...
Arcola Theatre
Journalism
Sunday Express
17/01/2010
Mark Shenton
EVERY GOOD BOY DESERVES FAVOUR
By striking contrast, the return of the National Theatre’s production of Every...
National Theatre
Journalism
Mail on Sunday
17/01/2010
Georgina Brown
GRETA GARBO CAME TO DONEGAL
Greta Garbo Came To Donegal readily slakes that craving. Filled with echoes of C...
Kiln Theatre
Journalism
Sunday Express
17/01/2010
Mark Shenton
GRETA GARBO CAME TO DONEGAL
That’s not a quality that Greta Garbo ever exhibited and in Frank McGuinness...
Kiln Theatre
Journalism
Independent on Sunday
17/01/2010
Kate Bassett
GRETA GARBO CAME TO DONEGAL
In Frank McGuinness’s new drama, Greta Garbo Came to Donegal, everyone is wond...
Kiln Theatre
Journalism
Observer
17/01/2010
Susannah Clapp
GRETA GARBO CAME TO DONEGAL
It’s one of the best titles ever, and it’s Frank McGuinness’s best play fo...
Kiln Theatre
Journalism
Sunday Times
17/01/2010
David Jays
GRETA GARBO CAME TO DONEGAL
Garbo really did visit Ireland, and Frank McGuinness borrows the incident to unl...
Kiln Theatre
Journalism
Sunday Express
17/01/2010
Mark Shenton
LEGALLY BLONDE
THE NEW year gets off to an instant feel-good start with the arrival of Legally ...
Savoy Theatre
Journalism
Mail on Sunday
17/01/2010
Georgina Brown
LEGALLY BLONDE
Oh my God - or ‘Omigaad!’, as it’s sung in the new musical Legally Blonde ...
Savoy Theatre
Journalism
Sunday Telegraph
17/01/2010
Tim Walker
LEGALLY BLONDE
Sometimes, honestly, one wakes up the morning after a show wondering if it wasn...
Savoy Theatre
Journalism
Observer
17/01/2010
Susannah Clapp
LEGALLY BLONDE
It screeches and skids around in a flounce of pink feathers. Trying to follow Le...
Savoy Theatre
Journalism
Independent
17/01/2010
Kate Bassett
LEGALLY BLONDE
Elie is a Californian airhead, your stereotypical dumb blonde. The Chihuahua bob...
Savoy Theatre
Journalism
Sunday Times
17/01/2010
Maxie Szalwinska
THE WORLD'S WIFE
Laughs gurgle out of you unexpectedly during this staging of Carol Ann Duffy’s...
Trafalgar Theatre
Journalism
Sunday Express
17/01/2010
Mark Shenton
JIHAD!
After one of the best new musicals we are likely to see this year, it’s a pity...
Jermyn Street Theatre
Journalism
Observer
17/01/2010
Susannah Clapp
THE RIVALS
Behind the white looped curtains and the stiff little trees in pots you see a bl...
Southwark Cathedral
Journalism
Sunday Telegraph
17/01/2010
Tim Walker
THE RIVALS
Is it any wonder, when the West End is putting on shows like Legally Blonde, tha...
Southwark Cathedral
Journalism
Independent on Sunday
17/01/2010
Kate Bassett
TRILOGY
Meanwhile, over in Battersea’s BAC, old-school feminism appears to be back in ...
Battersea Arts Centre
Journalism
Metro London
18/01/2010
Siobhan Murphy
GRETA GARBO CAME TO DONEGAL
Sultry Swedish loner Greta Garbo really did once travel to Donegal and playwrigh...
Kiln Theatre
Journalism
Metro London
18/01/2010
Siobhan Murphy
JIHAD!
When the latest would-be martyr for Al-Qaeda tries to use exploding underpants, ...
Jermyn Street Theatre
Journalism
Daily Telegraph
18/01/2010
Charles Spencer
JIHAD!
It would take the indignation of Jonathan Swift, the lethal elegance of Alexande...
Jermyn Street Theatre
Journalism
Guardian
18/01/2010
Michael Billington
THE RIVALS
Sheridan’s classic comedy has lately fallen into disuse. It is, in fact, 10 ye...
Southwark Cathedral
Journalism
Evening Standard
18/01/2010
Henry Hitchings
THE RIVALS
The Rivals, first performed in 1775, is celebrated chiefly for its author Richar...
Southwark Cathedral
Journalism
Independent
18/01/2010
Paul Taylor
TRILOGY
Near the end of this wonderful show, two naked women confront filmed footage of ...
Battersea Arts Centre
Journalism
Times
19/01/2010
Sam Marlowe
THE WORLD'S WIFE
We’ve all heard of Midas and Darwin, Faust and Freud: but what part did women ...
Trafalgar Theatre
Journalism
Financial Times
19/01/2010
Ian Shuttleworth
THE WORLD'S WIFE
Linda Marlowe is a doyenne of solo shows, and her blend of femaleness (as oppose...
Trafalgar Theatre
Journalism
Guardian
19/01/2010
Michael Billington
CHECKHOV JUBILEE
This sprightly evening kicks off what the week’s co-organiser, Michael Penning...
Hampstead Theatre
Journalism
Metro London
19/01/2010
Zena Alkayat
DR FAUSTUS
It’s not hard to turn Christopher Marlowe’s story of a man who sells his sou...
Stratford Circus
Journalism
Daily Express
19/01/2010
Neil Norman
THE CARETAKER
SET in an attic room cluttered with junk that looks like Albert Steptoe’s bedr...
Trafalgar Theatre
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