43043 résultats correspondant à votre recherche pour :
Corpus
Journal / Blog
Date
Nom du.de la critique
Titre
Critique
Lieu
Journalistique
Times
05/01/2010
Donald Hutera
MIRACLE
It’s hard to imagine what impact a change of venue will have, on this uneven b...
Leicester Square Theatre
Journalistique
Guardian
07/01/2010
Michael Billington
THE LADY OR THE TIGER
Sam Walters clearly has a soft spot for this toothless musical. It was first see...
Orange Tree Theatre
Journalistique
Daily Telegraph
07/01/2010
Charles Spencer
THE LADY OR THE TIGER
Unbelievably, The Lady or the Tiger is one of the Orange Tree’s biggest hits. ...
Orange Tree Theatre
Journalistique
Independent
07/01/2010
Zoe Anderson
VAREKAI
Celebrating its 25th anniversary this year, Cirque du Soleil has become the bigg...
Royal Court Theatre
Journalistique
Daily Telegraph
07/01/2010
Charles Spencer
VAREKAI
Thanks to a muddle over tickets, I took my seat a few minutes late for Varekai, ...
Royal Court Theatre
Journalistique
Evening Standard
07/01/2010
Henry Hitchings
VAREKAI
Apparently Varekai is the Romany word for “wherever”, and this characteristi...
Royal Court Theatre
Journalistique
Time Out
07/01/2010
Caroline McGinn
TRILOGY
Don’t be put off by the length or the enigmatic title. This three-part, three-...
Battersea Arts Centre
Journalistique
Financial Times
08/01/2010
Sarah Hemming
THE LADY OR THE TIGER
Party political leaders in search of eye-catching policies to spice up their man...
Orange Tree Theatre
Journalistique
Jewish Chronicle
08/01/2010
John Nathan
THE LADY OR THE TIGER
Michael Richmond’s and Nola York’s quirky little musical made its debut at t...
Orange Tree Theatre
Journalistique
Metro London
08/01/2010
Keith Watson
VAREKAI
There’s nothing like the sight of tight-buttocked Lycra-clad firecracker acrob...
Royal Court Theatre
Journalistique
Times
08/01/2010
Donald Hutera
VAREKAI
It’s estimated that more than 40 million people have seen Cirque du Soleil sin...
Royal Court Theatre
Journalistique
Daily Mail
08/01/2010
Patrick Marmion
VAREKAI
Ever tried touching your bottom with the back of your head? In ail honesty it’...
Royal Court Theatre
Journalistique
Daily Mail
08/01/2010
Quentin Letts
GENEROUS
What with the snow, a planned Wednesday afternoon trip from London to Cardiff to...
Finborough Theatre
Journalistique
Times
08/01/2010
Dominic Maxwell
GENEROUS
The Canadian playwright Michael Healey has rarely been performed in Britain, but...
Finborough Theatre
Journalistique
Guardian
09/01/2010
Michael Billington
MIRACLE
Reza de Wet is a South African dramatist clearly enslaved by the past. In 2002. ...
Leicester Square Theatre
Journalistique
Observer
10/01/2010
Susannah Clapp
THE LADY OR THE TIGER
This is the season in which theatres revisit their histories. In the crumbling g...
Orange Tree Theatre
Journalistique
Sunday Express
10/01/2010
Mark Shentort
VAREKAI
Cirque du Soleil’s founder Guy Lal ibertd may have managed to blast himself in...
Royal Court Theatre
Journalistique
Independent on Sunday
10/01/2010
Jenny Gilbert
VAREKAI
Extravagant That’s the word that best sums up Cirque du Soleil. That will cert...
Royal Court Theatre
Journalistique
Observer
10/01/2010
Susannah Clapp
MIRACLE
Well, says the former wife, discovering the body of her successor tucked up in a...
Leicester Square Theatre
Journalistique
Independent on Sunday
10/01/2010
Claudia Pritchard
A YORKSHIRE TRAGEDY
The character called simply Husband in A Yorkshire Tragedy hasn’t got that mes...
White Bear Theatre
Journalistique
Guardian
11/01/2010
Michael Billington
GENEROUS
Ever since Ibsen’s masterly study of destructive idealism, The Wild Duck, do-g...
Finborough Theatre
Journalistique
Independent
11/01/2010
Rhoda Koenig
MIRACLE
At least one aspect of Reza de Wet’s peculiar 1992 Gothic parable proves apt a...
Leicester Square Theatre
Journalistique
Metro London
11/01/2010
Claire Allfree
MIRACLE
A similar disparity between intention and effect is on view in Reza De Wet’s d...
Leicester Square Theatre
Journalistique
Financial Times
11/01/2010
Sarah Hemming
MIRACLE
“I refuse to work under these conditions,” protests the aged leading lady at...
Leicester Square Theatre
Journalistique
Evening Standard
11/01/2010
Henry Hitchings
INNOCENCE
Dea Loher’s disconcerting play is set in a nameless European port, and examine...
Arcola Theatre
Journalistique
Times
11/01/2010
Sam Marlowe
PLAY ON WORDS
This 70-minute piece is an ingenious little box of tricks from the precocious th...
Tristan Bates Theatre
Journalistique
Financial Times
12/01/2010
Sarah Hemming
GENEROUS
We are all familiar with the niggling doubts that accompany a generous act: if y...
Finborough Theatre
Journalistique
Guardian
12/01/2010
Lyn Gardner
INNOCENCE
Two illegal immigrants stand on a beach while a woman strides into the sea. At f...
Arcola Theatre
Journalistique
Financial Times
12/01/2010
Ian Shuttleworth
INNOCENCE
Dea Loher is much feted and admired as a dramatist in her native Germany. I’m ...
Arcola Theatre
Journalistique
Times
12/01/2010
Benedict Nightingale
INNOCENCE
Dea Loher is well known in her native Germany, and doubtless should be better kn...
Arcola Theatre
Journalistique
Daily Telegraph
12/01/2010
Charles Spencer
GRETA GARBO CAME TO DONEGAL
Frank McGuinness is a notoriously uneven playwright, ranging from big hits like ...
Kiln Theatre
Journalistique
Evening Standard
12/01/2010
Henry Hitchings
GRETA GARBO CAME TO DONEGAL
In case you’re wondering, she really did. When she “vanted to be alone”, t...
Kiln Theatre
Journalistique
Times
12/01/2010
Sam Marlowe
BARBERSHOPERA II
Close shaves and close harmonies: Barbershopera, the award-winning a cappella qu...
Trafalgar Theatre
Journalistique
Independent
13/01/2010
Rhoda Koenig
INNOCENCE
An African, illegally in Germany, finds a fortune which he spends on an operatio...
Arcola Theatre
Journalistique
Financial Times
13/01/2010
Ian Shuttleworth
GRETA GARBO CAME TO DONEGAL
Frank McGuinness writes extraordinary ordinary women. From his early play The Fa...
Kiln Theatre
Journalistique
Guardian
13/01/2010
Michael Billington
GRETA GARBO CAME TO DONEGAL
Garbo once startled Kenneth Tynan by announcing she had recently visited Bournem...
Kiln Theatre
Journalistique
Times
13/01/2010
Benedict Nightingale
GRETA GARBO CAME TO DONEGAL
“What, when drunk, one sees in other women, one sees in Garbo sober.” So wro...
Kiln Theatre
Journalistique
Times
13/01/2010
Jeremy Kingston
A YORKSHIRE TRAGEDY
The stabbings and throttlings that punctuate Jacobean plays, puncturing the skin...
White Bear Theatre
Journalistique
Time Out
14/01/2010
Matt Trueman
LICKING WOUNDS
Don’t be fooled by David Hoyle’s title of choice - he’s not the sheepish t...
Royal Vauxhall Tavern
Journalistique
Time Out
14/01/2010
Robert Shore
GENEROUS
Canadian playwright Michael Healey's comedy about the complicated ethical underp...
Finborough Theatre
Journalistique
Times
14/01/2010
Sam Marlowe
A GIFT FROM BABY JESUS
Three lost children fighting for survival in the big city: Daniel Silva’s new ...
Barons Court Theatre
Journalistique
Time Out
14/01/2010
Andrzej Lukowski
INNOCENCE
T want mirrors to stop’, howls young immigrant Elisio, as he, too, finally suc...
Arcola Theatre
Journalistique
Independent
14/01/2010
Paul Taylor
GRETA GARBO CAME TO DONEGAL
Frank McGuinness’s emotionally rich and highly enjoyable new play has a Chekho...
Kiln Theatre
Journalistique
Guardian
14/01/2010
Michael Billington
LEGALLY BLONDE
It is, of course, preposterous: an LA fashion student conquers Harvard law schoo...
Savoy Theatre
Journalistique
Metro London
14/01/2010
Claire Allfree
LEGALLY BLONDE
With the odd noble exception, it takes an American production to get the best ou...
Savoy Theatre
Journalistique
Independent
14/01/2010
Paul Taylor
LEGALLY BLONDE
“What I’d give to be one of those dogs!” I remarked to the young woman sit...
Savoy Theatre
Journalistique
Times
14/01/2010
Benedict Nightingale
LEGALLY BLONDE
Omygod, as a jazzily dressed set of sorority sisters keep squealing at the start...
Savoy Theatre
Journalistique
Evening Standard
14/01/2010
Henry Hitchings
LEGALLY BLONDE
It’s not often that a West End musical references Simon Cowell, case law and t...
Savoy Theatre
Journalistique
Daily Telegraph
14/01/2010
Charles Spencer
LEGALLY BLONDE
OMIGOD! I tried, I really tried to hate this show, but resistance is futile. It...
Savoy Theatre
Journalistique
Time Out
14/01/2010
Jane Edwards
BARBERSHOPERA II
Personally, by this time of year I’ve had my fill of jolly festive shows and s...
Trafalgar Theatre
Journalistique
Time Out
14/01/2010
Brian Logan
PLAY ON WORDS
A play in which a critic in the audience is picked on and humiliated? That doesn...
Tristan Bates Theatre
Journalistique
Time Out
14/01/2010
Nina Caplan
A YORKSHIRE TRAGEDY
Thomas Middleton lived down the road from this theatre, so if he did write this ...
White Bear Theatre
Journalistique
Guardian
14/01/2010
Lyn Gardner
TRILOGY
Nothing’s perfect and neither is Trilogy, Nic Green’s three-part interactive...
Battersea Arts Centre
Journalistique
Times
14/01/2010
Benedict Nightingale
TRILOGY
I have done some pretty bizarre things during my theatregoing career—recently ...
Battersea Arts Centre
Journalistique
Evening Standard
14/01/2010
Henry Hitchings
TRILOGY
In this bizarre and at times astounding triptych, a hit on the Edinburgh Fringe ...
Battersea Arts Centre
Journalistique
Daily Telegraph
15/01/2010
Charles Spencer
EVERY GOOD BOY DESERVES FAVOUR
Tom Stoppard’s superb black comedy about Soviet dissidents has returned to the...
National Theatre
Journalistique
Daily Express
15/01/2010
Julie Carpenter
EVERY GOOD BOY DESERVES FAVOUR
TOM STOPPARD’S 1977 collaboration with composer Andrd Previn is a short yet pe...
National Theatre
Journalistique
Times
15/01/2010
Sam Marlowe
EVERY GOOD BOY DESERVES FAVOUR
Such stark elegance coupled with such startling violence: this revival of Tom St...
National Theatre
Journalistique
Daily Mail
15/01/2010
Quentin Letts
GRETA GARBO CAME TO DONEGAL
There used to be a grand old English art queen called Hill who lived for years i...
Kiln Theatre
Journalistique
Financial Times
15/01/2010
Ian Shuttleworth
LEGALLY BLONDE
What is it with stage musicals of movies? Within the past year Priscilla Queen O...
Savoy Theatre
Journalistique
Jewish Chronicle
15/01/2010
John Nathan
LEGALLY BLONDE
This is the popular Broadway musical version of the famous film that was based o...
Savoy Theatre
Journalistique
Daily Mail
15/01/2010
Quentin Letts
LEGALLY BLONDE
It is pink not just in the colour of many of the clothes and stage effects. It i...
Savoy Theatre
Journalistique
Daily Express
15/01/2010
Neil Norman
LEGALLY BLONDE
THIS is a musical version of the Reese Witherspoon movie about spoilt California...
Savoy Theatre
Journalistique
Daily Mail
15/01/2010
Quentin Letts
JIHAD!
AT THE start of Jihad! The Musical, it seems we might be in for a militant Arabi...
Jermyn Street Theatre
Journalistique
Times
15/01/2010
Benedict Nightingale
JIHAD!
This musical’s appearance on the 2007 Edinburgh Fringe brought out the protest...
Jermyn Street Theatre
Journalistique
Evening Standard
15/01/2010
Henry Hitchings
JIHAD!
Jihad: The Musical is a monotonous one-joke show, and the joke is not very good....
Jermyn Street Theatre
Journalistique
Metro London
15/01/2010
Claire Allfree
TRILOGY
Nic Green’s three-hour, collagestyle Trilogy won rave reviews in Edinburgh - a...
Battersea Arts Centre
Journalistique
Daily Telegraph
15/01/2010
Dominic Cavendish
TRILOGY
There can be few stranger sights on the London stage at the moment than that of ...
Battersea Arts Centre
Journalistique
Spectator
16/01/2010
Lloyd Evans
GENEROUS
Generous, at the Finborough, is Britain’s first exposure to Michael Healey, wh...
Finborough Theatre
Journalistique
Guardian
16/01/2010
Lyn Gardner
EVERY GOOD BOY DESERVES FAVOUR
Orchestrated madness is back on stage at the National, where a newly recast vers...
National Theatre
Journalistique
Guardian
16/01/2010
Michael Billington
JIHAD!
There is certainly a show to be written satirising aspects of the “war on terr...
Jermyn Street Theatre
Journalistique
Times
16/01/2010
Dominic Maxwell
THE RIVALS
No one goes to a comedy of manners to see straightforward feelings unambiguously...
Southwark Cathedral
Journalistique
Sunday Times
17/01/2010
Maxie Szalwinska
INNOCENCE
Many of the story strands in this tangled number by the German playwright Dea Lo...
Arcola Theatre
Journalistique
Sunday Express
17/01/2010
Mark Shenton
EVERY GOOD BOY DESERVES FAVOUR
By striking contrast, the return of the National Theatre’s production of Every...
National Theatre
Journalistique
Mail on Sunday
17/01/2010
Georgina Brown
GRETA GARBO CAME TO DONEGAL
Greta Garbo Came To Donegal readily slakes that craving. Filled with echoes of C...
Kiln Theatre
Journalistique
Sunday Express
17/01/2010
Mark Shenton
GRETA GARBO CAME TO DONEGAL
That’s not a quality that Greta Garbo ever exhibited and in Frank McGuinness...
Kiln Theatre
Journalistique
Independent on Sunday
17/01/2010
Kate Bassett
GRETA GARBO CAME TO DONEGAL
In Frank McGuinness’s new drama, Greta Garbo Came to Donegal, everyone is wond...
Kiln Theatre
Journalistique
Observer
17/01/2010
Susannah Clapp
GRETA GARBO CAME TO DONEGAL
It’s one of the best titles ever, and it’s Frank McGuinness’s best play fo...
Kiln Theatre
Journalistique
Sunday Times
17/01/2010
David Jays
GRETA GARBO CAME TO DONEGAL
Garbo really did visit Ireland, and Frank McGuinness borrows the incident to unl...
Kiln Theatre
Journalistique
Sunday Express
17/01/2010
Mark Shenton
LEGALLY BLONDE
THE NEW year gets off to an instant feel-good start with the arrival of Legally ...
Savoy Theatre
Journalistique
Mail on Sunday
17/01/2010
Georgina Brown
LEGALLY BLONDE
Oh my God - or ‘Omigaad!’, as it’s sung in the new musical Legally Blonde ...
Savoy Theatre
Journalistique
Sunday Telegraph
17/01/2010
Tim Walker
LEGALLY BLONDE
Sometimes, honestly, one wakes up the morning after a show wondering if it wasn...
Savoy Theatre
Journalistique
Observer
17/01/2010
Susannah Clapp
LEGALLY BLONDE
It screeches and skids around in a flounce of pink feathers. Trying to follow Le...
Savoy Theatre
Journalistique
Independent
17/01/2010
Kate Bassett
LEGALLY BLONDE
Elie is a Californian airhead, your stereotypical dumb blonde. The Chihuahua bob...
Savoy Theatre
Journalistique
Sunday Times
17/01/2010
Maxie Szalwinska
THE WORLD'S WIFE
Laughs gurgle out of you unexpectedly during this staging of Carol Ann Duffy’s...
Trafalgar Theatre
Journalistique
Sunday Express
17/01/2010
Mark Shenton
JIHAD!
After one of the best new musicals we are likely to see this year, it’s a pity...
Jermyn Street Theatre
Journalistique
Observer
17/01/2010
Susannah Clapp
THE RIVALS
Behind the white looped curtains and the stiff little trees in pots you see a bl...
Southwark Cathedral
Journalistique
Sunday Telegraph
17/01/2010
Tim Walker
THE RIVALS
Is it any wonder, when the West End is putting on shows like Legally Blonde, tha...
Southwark Cathedral
Journalistique
Independent on Sunday
17/01/2010
Kate Bassett
TRILOGY
Meanwhile, over in Battersea’s BAC, old-school feminism appears to be back in ...
Battersea Arts Centre
Journalistique
Metro London
18/01/2010
Siobhan Murphy
GRETA GARBO CAME TO DONEGAL
Sultry Swedish loner Greta Garbo really did once travel to Donegal and playwrigh...
Kiln Theatre
Journalistique
Metro London
18/01/2010
Siobhan Murphy
JIHAD!
When the latest would-be martyr for Al-Qaeda tries to use exploding underpants, ...
Jermyn Street Theatre
Journalistique
Daily Telegraph
18/01/2010
Charles Spencer
JIHAD!
It would take the indignation of Jonathan Swift, the lethal elegance of Alexande...
Jermyn Street Theatre
Journalistique
Guardian
18/01/2010
Michael Billington
THE RIVALS
Sheridan’s classic comedy has lately fallen into disuse. It is, in fact, 10 ye...
Southwark Cathedral
Journalistique
Evening Standard
18/01/2010
Henry Hitchings
THE RIVALS
The Rivals, first performed in 1775, is celebrated chiefly for its author Richar...
Southwark Cathedral
Journalistique
Independent
18/01/2010
Paul Taylor
TRILOGY
Near the end of this wonderful show, two naked women confront filmed footage of ...
Battersea Arts Centre
Journalistique
Times
19/01/2010
Sam Marlowe
THE WORLD'S WIFE
We’ve all heard of Midas and Darwin, Faust and Freud: but what part did women ...
Trafalgar Theatre
Journalistique
Financial Times
19/01/2010
Ian Shuttleworth
THE WORLD'S WIFE
Linda Marlowe is a doyenne of solo shows, and her blend of femaleness (as oppose...
Trafalgar Theatre
Journalistique
Guardian
19/01/2010
Michael Billington
CHECKHOV JUBILEE
This sprightly evening kicks off what the week’s co-organiser, Michael Penning...
Hampstead Theatre
Journalistique
Metro London
19/01/2010
Zena Alkayat
DR FAUSTUS
It’s not hard to turn Christopher Marlowe’s story of a man who sells his sou...
Stratford Circus
Journalistique
Daily Express
19/01/2010
Neil Norman
THE CARETAKER
SET in an attic room cluttered with junk that looks like Albert Steptoe’s bedr...
Trafalgar Theatre
